New VR Documentary Highlights Effects of Oil Trade in Nigeria

Virtual reality (VR) and 360 degree video has already proven its worth in enhancing traditional broadcast entertainment and provide a more empathetic, immersive experience. Now we’re getting a brand new VR documentary which will make full use of VR technology in order to deliver a powerful message.

oil in our creeks

Contrast VR is Al Jazeera Media Netwrok’s immersive studio, and have today released their second full length documentary, Oil in Our Creeks. Its second in a series of original documentaries that take viewers closer to cultures and people who are under threat from poverty and conflict.

Directed by Contrast VR’s editorial lead Zahra Rasool and co-produced by Uzodinma Iweala, author of Beasts of No Nation, Oil in our Creeks was painted and animated by VR artist Angela Haddad of One Third Blue.

Following the story of Lessi Phillips, the documentary tells the story of how a Shell pipeline under the Niger Delta burst in her village when she was on 16, pouring oil into the swamps for 77 days. Local fisheries and farms were ruined, and sent the community into a serious economic crisis. Ten years later, Phillips shows viewers the long term damage that such disasters can have on the environment and local communities, but also how it can be fixed.

Amnesty International is partnering with Contrast VR for the launch. Osai Ojigho, the director of Amnesty International Nigeria says; “For decades Shell and other multinational corporations have directly contributed to the devastation of the land and livelihoods of the people who live in the Niger Delta. Oil in Our Creeks allows viewers to grasp the havoc wrought by oil spills on Niger Delta communities. I urge the companies’ executives to watch this film to better understand the community’s plight.”

Rasool shares her thoughts surrounding making the documentary for VR devices; “We wanted to find a new way to retell this important story. We divided the 360-degree screen into 180 degrees of live action footage and juxtaposed the other 180-degree section with animated versions of Lessi’s recollections, detailing what the village looked like before the oil spill. We immersed audiences deeper in the story so they could powerfully experience the scale of devastation in the community.”

The documentary will be viewable on Al Jazeera English Online, AJ+, Contrast VR, Vimeo and on Amnesty International social channels. It’ll also be viewable on Viveport, Jaunt and Samsung in February 2018. For all of the latest news for impactful VR documentaries, make sure to keep reading VRFocus.

BBC’s VR Documentary ‘Easter Rising: Voice of a Rebel’ Launches on Rift and Gear VR

The BBC’s newest VR documentary, Easter Rising: Voice of a Rebel, today launched on Gear VR and Oculus Rift. The 13-minute documentary takes you through one man’s memories on a journey back to a defining moment in Irish history, the armed insurrection against British rule during Easter Week, April 1916 that saw the execution of fifteen Irish leaders and internment of more than a thousand people—kindling for the nascent Irish sentiment of self-rule which later manifested in 1922 with the founding of the Irish Free State.

Easter Rising: Voice of a Rebel is now available for free on the Oculus Store for both Oculus Rift and Gear VR.

Created by BBC iWonder, Crossover Labs and VRTOV, the story follows audio from Willie McNeive, taken from a 1970s tape recording. With the voice of McNeive as your guide, a participant in the Easter Rising nearly 60 years beforehand, you’re transported back to the streets of 1916 Dublin to see the uprising against the British. McNeive was only 19 years old at the time.

According to the developers, each scene in the 13-minute story has a fixed point of view, but the viewer can look around in the full 360-degree environment and see the action while listening to recollections of the events in various locations.

The BBC bills it as “an artistic journey into the memory of an ordinary man who was swept up into an extraordinary event.”

Zillah Watson, Head of Commissioning, Virtual Reality, says: “Easter Rising: Voice of a Rebel is a fascinating account of a critical moment in Ireland’s history, told from a unique perspective. It shows that virtual reality can be used to give audiences a greater sense of presence, enabling them to better understand a range of issues like important current affairs, news, science and history.”

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Somalia’s First Female Mechanic Breaks Down Conventions in VR

Ghinwa Daher from What took you so long? tells VRFocus what it’s like filming a 360 Documentary in one of the most dangerous capitals of the world, Mogadishu. The documentary follows Nasra Haji Hussain Ibrahim, Somalia’s first female auto mechanic. This astounding story of an 18 year-old shows how Nasra is breaking down stereotypes and barriers in Somalia.

Ghinwa explains what it’s like filming in virtual reality (VR), what she’s learned as a documentary filmmaker and the extraordinary circumstances of trying to tell Nasra’s story. Find out more in the video below.

Find more videos and news related to VR on the VRFocus YouTube channel, as well as the latest edition of our weekly show VRTV.

Visualizing An Invisible Cyber War with ‘Zero Days VR’

yasmin-elayat There’s an invisible cyber war that’s happening between major nation states, and Zero Days VR takes you inside of it in a completely new way using virtual reality. You go on a journey into a hyper-stylized cyberspace world where you embody the Stuxnet computer virus as it navigates programmable logic controllers, changes code, and destroys Iranian nuclear centrifuges.

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Zero Days VR is one of the most powerful VR documentaries that I’ve seen so far since it uses the unique affordances of VR to visualize what’s at stake for weaponizing security vulnerabilities, and it uses these volumetric affordances to innovate what’s possible in immersive storytelling. The end result is a visceral and embodied experience of an otherwise complex and abstract topic of cyber warfare that is probably one of the most important stories in our world today.

Zero Days VR is based upon the journalistic work of Alex Gibney’s Zero Days documentary, but it’s not a promotional experience for the movie but rather a self-contained experience that uses VR to tell aspects of the story that didn’t work as well in the 2D version. The VR experience tells the story as if the main character is code, and they created different immersive environments that reflected testimony from a range of computer experts as well as a number of official government denials.

At Sundance, I had a chance to talk with Scatter’s Creative Director Yasmin Elayat about directing Zero Days VR, and how this project came about through the use of their Depthkit technology in Gibney’s documentary. We also talked about their failed experiments to make this into a non-linear and interactive experience. It turned out that too much journalistic integrity and overall context was lost when they surrendered control over the linear release of evidence, and so they had to abandon the more interactive components of the experience that they were building off from their previous experience on interactive VR doc CLOUDS created by James George and Jonathan Minard.

Zero Days VR was released on June 8th on Oculus Home for both the Oculus Rift and Gear VR, and it also won an award for Narrative Achievement at Unity’s Vision VR/AR Awards.

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National Geographic and “Hurt Locker” Director Team Up on New VR Film

National Geographic are further committing themselves to immersive film-making as they announce a new VR short, co-directed by Kathryn Bigelow, Director of The Hurt Locker, which aims to bring the terrible plight of the African Elephant to VR.

National Geographic are to embrace the field of virtual reality film-making as Annapurna Pictures (“Zero Dark Thirty,” “Her,” “Foxcatcher” and “American Hustle”) have announced they’ve been commissioned by them to produce a new VR documentary short which follows the troubling life of the African Elephant.

Kathryn Bigelow
Kathryn Bigelow

Academy Award-winning director Kathryn Bigelow (“Last Days,” “The Hurt Locker”) and VR creator Imraan Ismail (“The Displaced,” “Valen’s Reef”) will direct the 8 minute documentary which explores the dangerous and grueling reality faced by rangers protecting African elephants from ivory poachers in Garamba National Park in the Democratic Republic of the Congo. Currently, over 30,000 African elephants die each year as a result of this activity.

“The power of virtual reality gives us the chance to take our viewers to the breathtaking yet deadly interior of the Democratic Republic of Congo as we witness and walk in the shoes of these courageous rangers from the conservation NGO African Parks who manage Garamba. To have Kathryn Bigelow taking the helm of this project alongside Imraan Ismail is obviously an exciting and seminal moment for the medium and storytelling in VR,” said Patrick Milling-Smith, Co-founder and President, Here Be Dragons. “There are no stronger filmmakers to champion these rangers and viscerally show the world their humanity and bravery in the face or such horror.”

“We want to bring exceptional content that is emblematic of National Geographic to viewers everywhere and are proud to collaborate with the talented Kathryn Bigelow and Imraan Ismail along with Here Be Dragons and Annapurna Pictures on our first foray into the doc short form space using VR technology. This film will take viewers to the front lines alongside Nat Geo storytellers in the hopes that we can change their perception on ivory through this powerful virtual experience”, said Tim Pastore, President of Original Programming and Production, National Geographic Channel.

The film itself is certainly a worthy project on difficult subject matter and it’ll be interesting to see if the final results manages to leverage immersive media’s potential as an empathy generator to provoke action. “It is a moral imperative that we use all resources available to us in the fight against the devastating effects of the global illegal ivory trade. I made this film working with the African Parks NGO, to shine a light on the heroic park rangers who are on the front line in this battle”, said director Kathryn Bigelow. “The VR technology is a perfect way to take you into their day-to-day lives and highlight their passion and commitment to the vitally important work that they do.”

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